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Fine Arts, Classics and Archaeology

List of Research Staff

Herald Chair of Fine Arts; Head of School

    Jaynie Anderson, BA Melb MA Oxon PhD Bryn Mawr

Deputy Head of School

    Antonio Giuseppe Sagona, BA PhD Melb DipEd

Professor of Classical Studies

    Frank Bowman Sear, MA PhD Camb FAHA FSA

Honorary Professor of Fine Arts

    Professor Emeritus Margaret Manion, AO PhD Bryn Mawr BEd MA FACE FAHA

Professor Emeritus of Middle Eastern Studies

    John Bowman, MA BDGlas DPhil Oxf MA FAHA

Associate Professors of Fine Arts

    Barbara Creed, BA DipEd MA PhD LaT
    David Ryley Marshall, PhD LaT

Reader and Associate Professor of Fine Arts

    Ann Elizabeth Galbally, MA PhD FAHA

Readers/Associate Professors of Classical Studies

    Elizabeth Pemberton, BA Mt Holyoke MA PhD Col FAHA FSA
    Antonio Giuseppe Sagona, BA PhD Melb DipEd
    Roger David Scott, BA MA Camb
Senior Lecturers in Classical Studies

    Guy Bunnens, LicPhiLettHist LicPhilHistOr DrPhilLett Brussels
    Robert Geoffrey Jenkins, BSc Mon BA PhD
    Christopher John Mackie, BA N'castle NSW PhD Glas
Senior Lecturers in Fine Arts

    Roger Benjamin, MA PhD Bryn Mawr
    Jeanette Hoorn, BA Syd MA Calif PhD
Lecturers in Fine Arts

    Alison Inglis, BA
    Christopher McAuliffe, MA PhD Harvard
    Christopher Marshall, PhD
    Angela Ndalianis, DipHum LaT BA BLitt DipEd
Lecturer in Classical Studies

    Parshia Lee-Stecum, BA Tas PhD Cantab

Senior Academic Associates in Classical Studies

    Kenneth John McKay, DLitt Utrecht MA
    John Robert Charles Martyn, MA Camb Melb
    Elezier Paltiel, MRE Yeshiva MA PhD Penn
Senior Associates in Fine Arts

    Ursula Hoff, AO OBE PhD Hamburg DLitt Mon FAHA
    Timothy Potts, BA Syd DPhil Oxon
    Professor Emeritus Bernard Smith, BA Syd PhD ANU Hon.DLitt

Academic Associates in Classical Studies

    Peter V Brennan, BSc N'castle NSW PhD LaT
    John Burke, MA
    Piers Thomas Crocker, BA MPhil Camb
    Ian James McNiven, BA PhD Qld
    Albert Dennis Pryor, MA Camb
    Arlette Roobaert-Bunnens, LicHist LicHistArch DrPhilLett Brussels
    Claudia Sagona, MA DipEd
    Jennifer Webb, BA PhD
    John Wright, BSc Well BD Otago PhD Manc
Associates in Fine Arts

    Fiona Caro, MA DipEd Mon
    Kelleson Collyer, PhD
    Nicholas Eckstein, PhD Mon
    Dagmar Eichberger, MA PhD Heidelberg
    Rosemary Freemantle, MA Lond
    Edward Gott, PhD
    Angela Hass, PhD Munich
    Frances Lindsay, BA
    Hillary Maddocks, PhD Melb DipEd Mon
    Helen McDonald, DipEd MA PhD LaT AssDipFineArt RMIT
    Mark McDonald, MA LaT PhD Melb
    Margaret McGuire, PhD Melb
    Andrew Montana, PhD Melb
    John Pigot, PhD Melb
    Graham Ryles, MA Melb
    Robyn Sloggett, AssDipMatCons Canberra BA
    Robert Smith, BA WAust
    Felicity St John Moore, PhD Melb
    Vera Frances Vines, MSc PhD
    Christopher Wood, BA DipEd
    Biruta Ruth Zubans, PhD
Research Fellows in Fine Arts

    Joan Naughton, MAppSC FIT ARMIT- AppChem BA

Research Fellow (Ian Potter Art Conservation Centre)

    Robyn Sloggett, AssDipMatCons Canberra BA

Theses Passed for Higher Degrees

Master

  • Clarke-Powell J - Transhuman Aesthetics: Performance Artists and Cyberculture.

  • Courtney K - Piece Pipes: Clay Tobacco Pipes from the site of "Little Lou", Melbourne, Australia.

  • Curtis S - Janet Laurence: Feminine Singularity in Australian Cultural Formations.

  • Downer C - Music in the Museum: An Examination of the Collection of Musical Instruments in the Powerhouse Museum of Applied Arts and Sciences in Sydney.

  • Dwyer T - Mickey Mouse and Dumbo: An Inter-Cultural Film Exchange.

  • Fleming S - Charity and Piety.

  • Giurina N - Giovanni Battista Falda's Li Giardini di Roma: Gardens and Prints in Seventeenth-Century Rome.

  • Grabau C - The Drawings of Benedetto Luti in the Gavinetto Disegni e Stampe degli Uffizi, Florence.

  • Harding L - The First Australian Modernists. Tempe Manning, Norah Simpson and Grace Cossington Smith: Gender, Myth and Art Criticism during the First World.

  • Hemingway A - Asturian Architecture in the Pre-Romanesque Period.

  • Huang T - Hong Kong Cinema: Genre, Auteur, Postcoloniality.

  • Hughes B - Twentieth Century Stained Glass in Melbourne Churches.

  • Jocic L - The Digitised "Field of the Cloth of Gold". Costume Collections and Computer Technologies.

  • Kelly A - Studies in the Homeric Aristeia-Traditional Structure of the Illiad.

  • Kerry A - Whose Morality, Sexual Censorship of the Visual Arts 1963-1995.

  • McNally S - The Role of Feet in Early Classical Greek Literature.

Doctor of Philosophy

  • Green C - "The Thief in the Attic" Collaborative and Aberrant Authorship in Art since 1968.

  • Howells S - The Subsistence Patterns in North-Eastern Anatolia: The Faunal Remains from Sos Hoyuk and Buyuktepe Hoyuk.

  • McConchie M - Iron Technology and Ironmaking Communities in North-Eastern Anatolia: First Millenium BC.

  • McIntyre T - Chinese New Year Pictures: The Process of Modernisation 1842- 1942.

  • Ndalianis A - Traversing the Boundaries - Baroque Tendencies in Contemporary Hollywood Cinema.

  • Stocks B - Text and Image in the Early Italian Book of Hours.

  • Sweely G - Parallel Practices: P.S. Richards and the Architectural Practices With Which he was Associated in Australasia.

  • Wootton A - Sinibaldo Scorza and Animal Painting in Seventeenth Century Genoa.

Theses in Progress

Master

  • Armstrong-Buckley A - Social Hierarchy During the Late Uruk/Jemdet Nasr Transitional Period: With Particular Reference to Cylinder Seals.

  • Boyle C - Layers of Space in Science.

  • Briggs K - Psychoanalysis and Jouissance.

  • Brock S - Votive Imagery Renaissance.

  • Buckley E - The Development of Social Hierarchy in the Ancient Near East.

  • Bunbury A - The Graphic Journey: Murray Griffin Linocuts.

  • Cahill J - Parmigianino's Painting of Women.

  • Caluzzi G - Dining in Greek Roman Comedy.

  • Carney R - Minoan Painting.

  • Carter N - Modernist Design and Cynthia Reed.

  • Chinn A - The Homeric Hymns: Disguise and Transformation.

  • Christinis H - Early Iron Age 1 Period.

  • Cooper L - Imaging and Spectatorship.

  • Dickson J - An Archaeology of Metaphor: Figurative Language and Modes of Thought in the Ancient Near East.

  • Dodgshun E - Artists, Museums and Curatorial Practice in Australia.

  • Doolan W - Body in Indian Art 1858-1940.

  • Doyle M - the Melbourne Livy.

  • Dutton S - Do We Still Need Authenticity? Contemporary Curation of Pacific Art.

  • Ebury F - Australian Pictorialist Photography.

  • Finch S - Religious Connections between the Aegean and Anatolia during the Iron Age.

  • Furlong P - Indo-Europeans in Greece.

  • Giarratana C - Space Theory and the Cinema.

  • Gibson S - Harmonic Theory in Ancient Greece.

  • Gribbin C - Orphism in Ancient Greece.

  • Guadagnuolo J - Images of Power in Rome and the Provinces from 31 BC to 292 AD.

  • Hanfi-Scott S - Ideology and the X-Files.

  • Hannah B - Vergil's Aeneid.

  • Hartrick E - Popular Visual Culture in 19th Century Australia & New Zealand.

  • Hay J - The Portfolio 1871-1875: The First Years of an Artistic Periodical.

  • Haywood C - A Mutable Identity: A Study of Cultural Duality in the Australian & Italian Work of D. De Clario.

  • Hildebrandt K - The Curator and Cyberspace.

  • Holt S - Bad Girls.

  • James K - Hogarth in the Baillieu: Precedents & Projections.

  • Jones G - Retro Style in Contemporary Australian Art.

  • Kane B - Rupert Bunny's Symbolist Decade: A Study of the Religious & Occult Images 1887-1898.

  • Kent R - Ludwig Hirschfeld Mack and the Bauhaus in Australia.

  • Kerridge Y - The Art of Consumption: The Psycho-Social Function of Food and its Consumption in Archaic and Classical Greece.

  • Konstantopoulos H - Paul de Man and Art Criticism.

  • La'brooy M - Seminotics and the Analysis of Act.

  • Laing C - Women and Weaving: Navajo/Native American.

  • Lau J - Warfare in Antiquity.

  • Lindsay J - An Examination of the Ancient Edomite State/People in the Transjordan during Iron Age II and the Persian Period.

  • Livermore NL - Anatolian Bronze Age Figurines.

  • Lovitt C - Aboriginal Art as Decore in the Australian Home c1920-1960.

  • MacMahon L - Theodore Brook Hansen.

  • Mansfield L - The Representation and Patronage of Courtly Women in Sixteenth Century France: the Reigns of Francois I and Henri II.

  • Martin G - Recent Public Art in Seattle.

  • Mehmet M - The Body of Michael Jackson.

  • Messer A - Translation of a Selection of Romanos' Byzantine Hymns from Greek into English with a Commentary.

  • Mrad A - Syriac MS Mingana 108: Edition and Translation.

  • Nicholls L - Nineteenth Century Collectors of Orientalist Art: The Duke d'Aumale and Richard Wallace.

  • Nunes K - Social Complexity in Early Helladic II.

  • O'Dwyer R - Modernist Aesthetics in Low Budget Cinema.

  • Osmolovskaya J - The Role of Oral Histories in Museums.

  • Pace J - The History Paintings of William Strutt.

  • Piscioneri V - Dutch Glass in the National Gallery of Victoria.

  • Rawlinson K - Political and Social Theory in the Roman Historians.

  • Ross J - Cultural Festivals in Victoria - The Last Two Decades.

  • Sidiripoulos D - The Temple of Athena Nike: Its Iconographic Program in Context.

  • Slifkirski K - The End of Discretion: Performing the Nation.

  • Sorace F - Examine the Royal Rhetoric, Propaganda Display in the Ancient World.

  • Travis L - Russell Drysdale and the Australian Outback.

  • Van Twest M - A Study of Anglo-Saxon Skeleton.

  • Venzo P - Spanish Cinema.

  • Vincent A - Charity and Social Aid in Hellenstic and Roman Egypt.

  • Voorhoeve N - Christian Church in the Fourth Century.

  • Walker T - Malevich's Work in the late 1920s and Early 1930s.

  • Wilks L - Kingship and Power Relations in Bronze Age Syria.

Doctor of Philosophy

  • Adamson N - "Ecole de Paris" Painting, 1945-1955: Questions of Aesthetic & Political Identity.

  • Barnes C - Australian Conceptualism and its Aftermath 1968-80.

  • Beaven L - Private Patronage in Seventeenth Century Rome: The Collection of Cardinal Camillo Massimi.

  • Betka U - Lay Devotions and Marian Painting in Late Medieval Italy: Functional and Contextual Considerations.

  • Boyd C - Themes of Death and Rebirth in the Cinema: Perinatal, Shamanic and Mythological Aspects.

  • Burns K - John Ruskin's Stone of Venice.

  • Challis K - Gerard Hornebout: A Late Medieval Flemish Illuminator.

  • Chapman E - The Language of Disease in Roman Love Poetry.

  • Clayton V - Terracotta Figurines from Tell Ahmar.

  • Colman F - From Nike to Puppy (floral): The Transportation of modernity and the accumulation of time in Western Art.

  • Crombie I - The Body Beautiful: Utopian Aesthetics in Australian Art and Society, 1930-1940.

  • Cross D - Performing Masculinities: The Gendering of Space in the Work of Installation and Performance Artists 1960-1990.

  • Dugay L - The Relationship between Shape, Technological Attributes and Use of Prehistoric Pottery in the Near East.

  • Duggan L - Ghost Nation: Imagined Space and Australia's Visual Arts 1901-1939.

  • Eckfeld T - Empress Wu: Images of Power and Female Sovereignty in Chinese Art 660-705 AD.

  • Excell S - Eyre All Alone: Structural Analogies in a Sequence of Poems by Francis Webb.

  • Fagan D - The Moral Rights of the Visual Artist.

  • Fitzgibbons A - Conceptual Art c.1965- 1975.

  • Fritsch c - The 'Grandhara Grave Culture': Myth or Reality. An analysis of the Protohistoric Graveyards of Northern Pakistan (1800-500 BC).

  • Gallagher C - The Art Patronage of Cardinal Paolo Emilio Sfondrato (1561- 1618).

  • Gartlan L - The Adventures of Baron Raimond Von Stillfred: The East as Artistic Career in the Nineteenth Century Occidental Culture.

  • Gaunt H - The Sticht Collection.

  • Gorr T - Hadrianic Building in the Western Provinces of the Roman Empire.

  • Green M - Second Ecumenical Council at Nicea.

  • Gregory K - An Investigation into the Use of the Body in Contemporary Art Practice, with a Close Examination of the Abject.

  • Hall K - Space and its Place in Australian Cinema.

  • Hay K - The Impact of Palestinian Monasticism: Charisma, Control and Controversy.

  • Haymes C - The Iron Age of Syria with Particular Reference to Tell Nabi Mend.

  • Healy J - Marketing and Indigenous Art in Remote Areas of Australia.

  • Hill P - An Introduction and Critical Edition of St Luke 1-11 According to the Harklean Version.

  • Hook C - Mapping the Cultural Landscape.

  • Hopkins E - The Ethnoarchaeology of North Eastern Anatolia: Sos Hoyuk and Yigittasi Village.

  • Hussey S - Sexuality in Cinema.

  • Jackson H - Hellenistic Housing Insula in North Syria.

  • Kendrick I - Tempest and Tranquillity: Jan Frans van Bloemen and Classical Landscape Painting in 18th Century Rome.

  • Kiernan J - Literary and Critical Responses to Homer in the European Tradition: A Survey from Pre-Alexandrian Times to the Modern Era.

  • Lakin S - Little Sparks of the Real: Reading Twentieth Century American Photographic Books.

  • Landman J - Identity, Difference and the "Feminine" in Australian Cinema.

  • Lausch M - Julius von Schlosser and the Vienna School of Art History.

  • Law S - The 'diva' in Post World War II Italian Cinema.

  • Lloyd A - Mary Cecil Allen: A Modernist in Australia and America.

  • Macmillan M - The Pandora Myth in Pabst's Film 'Pandora's Box' and Berg's Opera 'Lulu'.

  • MacNeil R - Blacked Out: The Representation of Aboriginal People in Australian Painting.

  • Marsh A - The Theatre of Photography.

  • Martin M - Philo of Alexandria and the Second Temple.

  • Mathieson T - Lines of Flight: The Ready-made, Becoming Owl and the Body without Organs.

  • McColl G - Strike a Pose: Post Modernism and the Politics of Cross-Dressing.

  • McIntyre P - Australian Artists and Italy from the 1890's to 1939.

  • Meehan J - The Paradigm Polarities of Nurse as Mother and Nurse as Monster in Film: A Deconstruction.

  • Message K - Through the Looking Glass and into the Space of the Screen: Interaction adn Electronic Space.

  • Mitchell P - The Religious Content and Context of Greek Choral Lyric, from Alcman to the Early Classical Period.

  • Morkham B - Images of the Other - The Cultural Articulation of the Desiring Subject and the Cinematic Moments as Site in Processual Moment(s) of Becoming.

  • Murray G - Violence and Utopian Longing in the Films of Sam Peckinpah.

  • Neal B - Achilles and Okeanos: Water and the Warrior in Homer's 'Iliad'.

  • Neville A - Chivalric Imagery in Manuscript Illumination: Narrative Structure and Political Life at the Court of Naples in the Fourteenth Century.

  • Newton J - Life in the Mountains - Sos Hoyuk in the Early Transcaucasian Period.

  • Nicholls M - Melodrama, Murder and Melancholy: The Maintenance of Tribal Order in Cinematic Melodrama and the Films of Martin Scorsese.

  • Nowak J - Art and the Other: Representation in Western Art 1948-2000 and the Ethics of Emmanuel Levinas.

  • O'Donoghue C - Finding the Face Behind the Poem: A Study of the Pictorial Representations of Sixteenth Century Female Italian Poets.

  • Ould T - Jacopo Zucchi and the Galleria Rucellai.

  • Paffen P - Art of Memory: Portraiture in Colonial Tasmania to 1860.

  • Paice T - Narrative Structure of Australian Films.

  • Pennings M - the Post Modern Consciousness and its Commodification.

  • Romstadt B - Representation of Female Killers in Hollywood and Film (Movie Agencies).

  • Rosewarne Foster J - Art and Motherhood Representation and Art Practice - Australian Artists in 1980's.

  • Russell S - Information and Decoration: The Fresco Friezes of Pamphilj in Piazza Navona, Rome.

  • Sagona C - Punic Malta: An Archaeological Assessment of the Maltese Archipelago between c.900 BC-200 AD.

  • Scott S - the Construction of Identity: Australian Artists Exhibiting in London in the 1960's.

  • Sebo H - Myth into Theatre: Paradigms of the Feminine in Euripides "Helen".

  • Shaw E - A Study of Illuminated Manuscripts from the Lombard School. Miniatures in Historiated Letters/Initials.

  • Shaw J - The 90's Social Problem Film.

  • Slavin J - The Ideology of Australian National Myths in Cinema.

  • Slavin J - the Ideology of Australian National Myths in Cinema.

  • Sloggett R - An Analysis of the Materials and Techniques of Australian Artists and Those Artists Working in Australia during the Nineteenth and Early Part of the Twentieth Century.

  • Stoney E - The Image of the Child in the History of Photography.

  • Sunderland A - The Psalter in the Syriac Tradition: The Psalms Commentary of Daniel of Salah.

  • Tosaki E - Squared Grooves: Visualizing Rhythm in the Work of Mondrian.

  • Verhoeven D - Is the Australian Social Fabric Wool Blend? Sheep and Film in Australia.

  • Waldron L - Euripidean Theatre: Character, Structure and Performance.

  • Walker D - The Problem of Style: A Critical Edition of J.I. Vives' De Ratione Dicende.

  • Williams K - The Self-Portrait: Australian Self-Portraiture in Inter-War Years.

  • Wilson L - The Intersection of Wisdom and Covenant in the Joseph Narrative.

  • Withers G - The Political Use of Miracles in the First Five Centuries of the Christian Era.

  • Wolski N - The Archaeology of Contact: Aboriginal Resistance to the European Settlement in the Western District of Victoria.

Research in Progress

Archaeology

  • Social Identity and Religious Ritual in the Kura-Araxes Cultural Complex: Some Observations from Sos Höyük - A Sagona

Art History

  • A New Drawing by Antonio del Castillo y Saavedra in the British Museum - MP McDonald

  • Among the Bohemians: a collection of essays based on research and lectures in 1998 - C McAuliffe

  • Colonial Art and Visual Culture in French Indochina, 1885-1935 - R Benjamin

  • 'Federation and Fizz' Revisited: The Heart of the Nation Conference - G Sweely & K Livingston

  • Guerillas, Poseurs, and Nomads: Reinventing the Politics of the Avant-Garde in Art and Music - C McAuliffe

  • Nan Xiangtangshan and the Problem of the Origin of Two Chinese Bodhisattva Sculptures in the National Gallery of Victoria - T Eckfeld

  • Never Mind the Pollocks: Jackson Pollock and Punk Style - C McAuliffe

Classical Studies

  • "Apologies from the Management, Neoptolemus is Indisposed": A Failed Entry in Euripides' 'Andromache'? - L Waldron

  • Latin Lives of St Oda of Canterbury and St Oswald of York by Edmer - A New Critical Edition - B Muir & A Turner

Published Work

Books

Research Book

  • Anderson J 1998. Collecting, Connoisseurship and the Art Market in Risorgimento, Italy. Memorie cdsm, lettere ed. arti (ed.), Venice: Instituto Veneto di Scienze. ISBN 88 86166 710

  • Lee-Stecum P 1998. Powerplay In Tibullus: Reading Elegies Book One. Burnyeat MF, Easterling PE, Hopkins MK, Reeve MD and Snodgrass AM (eds.), Cambridge Classical Studies, 328pp. Cambridge, UK: Cambridge University Press. ISBN 0-521-63083-5

  • Martyn J 1997/8. Biographies of Prince Edward and Friar Pedro by Andre de Resende. 236pp. New York: Edwin Mellen Press. ISBN 0-7734-8538-4

  • Muir B & Turner A 1998. Victa Sancti Wilfridi Auctore Edmero / The Life of Saint Wilfrid by Edmer. Glasscoe M and Swanton MJ (eds.), Exeter Medieval Texts and Studies, First Edition, Muir, B & Turner, A (Translator)378pp. Exeter, UK: University of Exeter Press. ISBN 0 85989 597 1

  • Sear F 1998. Roman Architecture. London: Routledge. ISBN 0-415-20093-8

  • Smith B 1998. Modernism's History. First Edition, 376pp. London: Yale University Press. ISBN 0-300-07392-5

Edited Book

  • Eichberger D & Zika C 1998. Dürer and his Culture. 1st Edition, 255pp. Cambridge, UK: Cambridge University Press. ISBN 0 521 62037 6

  • Manion M & Muir B 1998. The Art of the Book: Its Place in Medieval Worship. 337pp. Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • Martyn J 1998. Andre De Resende's Poems. Medieval and Renaissance Studies, Martyn, J (Translator)18: 549pp. New York: The Edwin Meller Press Ltd. ISBN 0 7734 8331 4

Authored - other (including translations)

  • Bunnens G 1998. Semantics of Ancient Hebrew. Muraoka T (ed.), Abr-Nahrain, 6: 151pp. Louvain, Belgium: University of Melbourne/Peeters Press. ISBN 90 429 0592 1

Chapter in Books

  • Anderson J 1998. Giovanni Morelli for and against Piero della Francesca, in Prete C & Varese R (eds) Piero Interpretato, 85- 88, Ancona: Il Lavoro Editoriale. ISBN 88 7663 257 3

  • Anderson J 1998. I Taccuini Marchigiani di Giovanni Morelli, in Tommasi AC (ed) Giovanni Battista Cavalcaselle: Conoscitore e Conservatore, 81-96, Venezia, Italy: Marsilio Editori SPA. ISBN 88-317-7103-5

  • Benjamin R 1998. A New Modernist Hero, in Neale M (ed) Emily Kame Kngwarreye. Paintings from Utopia, 47- 54, South Brisbane, Qld: MacMillan Publishers/Qld Art Gallery. ISBN 0 646 34929 9

  • Challis K 1998. Marginalized Jewels: The Depiction of Jewellery in the Borders of Flemish Devotional Manuscripts, in Muir B and Manion M (eds) The Art of the Book: Its Place in Medieval Worship, 253-289, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • Creed B 1998. Abject Desire and Basic Instinct: A Tale of Cynical Romance, in Pearce L and Wisker G (eds) Fatal Attractions: Re-scripting Romance in Contemporary Literature and Film, 174- 188, London: Pluto Press. ISBN 0 7453 1386 8 hbk

  • Creed B 1998. Film and Psychoanalysis, in Hill J and Church Gibson P (eds) The Oxford Guide to Film Studies, 77-90, New York: Oxford University Press. ISBN 0 19 871115 8

  • Eichberger D 1998. Devotional Objects in Book Format: Diptychs in the Collection of Margaret of Austria and her Family, in Manion M and Muir B (eds) The Art of the Book: Its Place in Medieval Worship, 291-324, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • Eichberger D 1998. Naturalia and Artefacta: Dürer's Nature Drawings and Early Collecting, in Eichberger D and Zika C (eds) Dürer and his culture, 13- 37, Cambridge, UK: University of Cambridge Press. ISBN 0 521 62037 6

  • Jenkins RG 1998. The First Column of the Hexapla: The Evidence of the Milan Codex (Rahlfs 1098) and the Cairo Genizah Fragment (Rahlfs 2005), in Salvesen A (ed) Origen's Hexapla and Fragments, 88-102, Tubingen, Germany: Mohr Siebeck. ISBN 3-16-146575-X

  • Jenkins RG 1998. Hexaplaric Marginalia and the Hexapla-Tetrapla Question, in Salvesen A (ed) Origens' Hexapla and Fragments, 73-87, Tubingen, Germany: Mohr Siebeck. ISBN 3-16-14-6575-X

  • Maddocks H 1998. The Master of Jacques de Besancon and a Fifteenth-Century Parisian Missal, in Manion M and Muir B (eds) The Art of the Book: Its Place in Medieval Worship, 225-251, Exeter, UK: University of Exeter Press. ISBN 0-85989-566-1

  • Manion M 1998. An Unusual Image of the Assumption in a Fourteenth-Century Dominican Choir-Book, The Art of the Book - Its Place in Medieval Worship, 153-161, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • Manion M 1998. Women, Art and Devotion: Three French Fourteenth-Century Royal Prayer Books, The Art of the Book - Its Place in Medieval Worship, 21-66, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • McNiven IJ 1998. Shipwreck Saga as Archaeological Text: Reconstructing Fraser Island's Aboriginal Past, in McNiven IJ, Russell L and Shaffer K (eds) Constructions of Colonialism: Perspectives on Eliza Fraser's Shipwreck, 1st Edition 37-50, London: Leicester University Press. ISBN 0- 7185-0139-X

  • McNiven IJ, David B, Bekessy L, Bultitude B, Clarkson C, Lawson E, Murray C & Tuniz C 1998. More Than 37,000 Years of Aboriginal Occupation, in David B (ed) Ngarrabullgan: Geographical Investigations in Djungan Country, Cape York Peninsula, First Edition Mon Publications in Geography and Environmental Science No.51: 157- 178, Clayton, Victoria: Monash University. ISBN 0- 909685- 66- 5

  • McNiven IJ, Russell L & Schaffer K 1998. Historical Representations, in McNiven IJ, Russell L and Schaffer K (eds) Constructions of Colonialism: Perspectives on Eliza Fraser's Shipwreck, 1st Edition 1-10, London: Leicester University Press. ISBN 0- 7185-0171-3

  • Naughton J 1998. Books for a Dominican Nuns' Choir: Illustrated Liturgical Manuscripts at Saint-Louis De Poissy c.1330-1350, in Manion M and Muir B (eds) The Art of the Book: Its Place in Medieval Worship, 67-110, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • St John Moore F 1998. Introduction, in Braye M and Lennox R (eds) David Larwill, 1: 8-9, Sydney: Craftsman House (Gordon & Breach Publishing Group). ISBN 90-5703-78-15

  • St John Moore F 1998. A Walk through the Exhibition, in Ibbitson Jessup H (ed) Double Act: The Art of Kenneth Rowell, 22-25, Melbourne: Kenneth Rowell Designs. ISBN 0-646-36029-9

  • Stocks B 1998. The Illustrated Office of the Passion in Italian Books of Hours, in Manion M and Muir B (eds) The Art of the Book: Its Place in Medieval Worship, 111-152, Exeter: University of Exeter Press. ISBN 0 85989 566 1

  • Vines V 1998. A Centre for Devotional and Liturgical Manuscript Illumination in Fifteenth-Century Besancon, in Manion M and Muir B (eds) The Art of the Book: Its Place in Medieval Worship, 195-224, Exeter: University of Exeter Press. ISBN 0 85989 566 1

Journal Articles

Refereed Journal

  • Creed B 1998. Anal Wounds, Metallic Kisses. Screen. (39:2): 175-179.

  • Eckfeld T 1998. Symbol and Substance: The Elaine Ehrenkrantz Collection of Japanese Lacquer Boxes. TAASA Review: Journal of the Asian Art Society of Australia. 7 (4 (Dec 98)): 25.

  • Mackie C 1998. Achilles in Fire. Classical Quarterly. 48 (ii): 1-10.

  • Marshall D 1998. Early Panini Reconsidered: The Esztergom 'Preaching of an Apostle' and the Relationship beween Panini and Ghisolfi. Artibus et Historiae. XVIII (36): 137-199.

  • Martyn J 1998. Janus Secundus: Poems from Trip to Script. Humanistica Lovaniensia - Journal of Neo-Latin Studies. XLVII 60-66.

  • McDonald MP 1998. The Print Collection of Philip II at the Escorial. Print Quarterly. XV (March): 15-35.

  • McNiven IJ 1998. Aboriginal Archaeology of the Corroboree Beach Dune Field, Fraser Island: Re-Survey and Re- Assessment. Memoirs of the Queensland Museum, Cultural Heritage Series. 1 (1) 1-22.

  • McNiven IJ 1998. Enmity & Amity: Reconsidering Stone-Headed Club (Gabagaba) Procurement and Trade in Torres Strait. Oceania. 69 (2): 94-115.

  • McNiven IJ & Courtney K 1998. Clay Tobacco Pipes from Aboriginal Middens on Fraser Island, Queensland. Australian Archaeology. 47 44-53.

  • McNiven IJ & Russell L 1998. Monumental Colonialism: Megaliths and the Appropriation of Australia's Aboriginal Past. Journal of Material Culture. 3 (3): 283-299.

  • Pemberton EG 1998. Between Art History and Archaeology: Recent Studies in Greek Ceramics. American Journal of Archaeology. 102 424-428.

  • Sagona A, Ermen M, Sagona C, McNiven I & Howells S 1998. Excavations at Sos Höyük 1997: Fourth Preliminary Report. Anatolica. 24 33-64.

  • Smith B 1998. The Last Days of the Post Mode. Thesis Eleven. 54 (August 1998):  1-23.

  • Sweely G 1998. Vale-Associate Professor Kevin Thomas Livingston - A 'Father' of Federation Histories. The New Federalist: The Journal of Australian Federation History. (2): 81-82.

  • Zubans R 1998. A Decade of Travel in the Life of Ethel Carrick Fox. Art and Australia: Journeys. 36 (1): 88-95.

Non-Refereed Journal

  • Benjamin R 1998. The Arab Blacksmith. Bendigo Art Gallery Newsletter. 6.

  • Bunnens G 1998. The Archaeological Context. Abr-Nahrain. XXXIV 61-65.

  • Bunnens G 1998. Tell Ahmar/Til Barsib: The Ninth and Tenth Seasons (1996/1997). Orient-Express. 2 27-30.

  • Creed B 1998. The Public Erotic and the Culture of Display. Australian Book Review. 24-28.

  • Hoorn J 1998. Body Art in Melbourne. Art and Australia. 36 (2): 288-289.

  • Hoorn J 1998. Captivity and Humanist Art History: The Case of Poedua. Third Text42 (Spring 1998): 47-56.

  • Jackson H 1998. A Lost Epic on the Anger of Ajax? Iconographical Evidence. Iris. Journal of the Classical Association of Victoria. 11 (1): 2-11.

  • Marshall C 1998. Between Collections and Communication [Reply to David Dolan]. Art Monthly Australia. 11 (110): 11.

  • Marshall C 1998. "Causa di Stravaganze": Order and Anarchy in Domenco Gargiulo's 'Revolt of Masaniello'. The Art Bulletin. (80) LXXX (3): 478-497.

  • Marshall C 1998. Dancing with the Dinosaurs: Graham Morris and the Museum of Victoria's Agenda for Change. Art Monthy Australia. 11 (108):  5-7.

  • Martyn J 1998. Andre de Resende's Commentary on Virgil's Georgics. Euphrosyne. XXVI 379-397.

  • Martyn J 1997/98. An Unpublished Letter from Mazagao. Portuguese Studies. 13  7-13.

  • McAuliffe C 1998. Affairs of the Art. World Art. 0 (19): 58-59.

  • Nicholls M 1998. Martin Scorsese's 'Kundun': A Melancholic Momentum. Metro. 116 11-14.

  • Paltiel E 1998. The King of Salem and Psalm 110. Australian Journal of Jewish Studies. 12 (1998) (AJJS errata 12):5 (1998), [following pp27-41 (1997)].

  • Scott R 1998. The End of Classical Antiquity? Sixth-Century Byzantium (The 1997 Allen Lecture). Iris. Journal of the Classical Association of Victoria. 11 (1): 30-42.

  • Sear F 1998. The South Theatre at Jarash, 1994 Campaign. Annual of the Department of Antiquities of Jordon. 40  217-230.

  • Sear F 1996/98. The Theatre at Talrmina - A New Chronology. Paper for the British School. 64 41-79.

  • Turner A 1998. Approaches to Tacitus' Agricola. Latomus. 56 Fascicule 3  582- 593.

Reference Works

Major Reference Work

  • Galbally A 1998. Frederick McCubbin. The Oxford Companion to Australian History, Davison G, Hirst J and Macintyre S (eds) 419 Melbourne: Oxford University Press.

  • Nicholls M 1998. Frontline. Insight '99, Bruer I and Keaney L (eds) of 6 Vols, 84- 92 Drouin: Insight Publications.

  • Smith R 1998. Allgemeines Kunstlerlexikon. Allgemeines Kunstlerlexikon: Internationaler Lexikonbeirat, 20: 6-544 Munchen/Leipzig: K G Saur.

  • Smith R 1998. Allgemeines Kunstlerlexikon. Allgemeines Kunstlerlexikon: Internationaler Lexikonbeirat, 19: 88-600 Munchen/Leipzig: K G Saur.

  • Smith R 1998. Allgemeines Kunstlerlexikon. Allgemeines Kunstlerlexikon: Internationaler Lexikonbeirat, 18: 139-517 Munchen/Leipzig: K G Saur. Major international reference work covering artists of all periods, places and cultures working in all non-histrionic visual and plastic media. Contributions on artists working in Australia since colonisation, in alphabetical sequence under individual surnames.

Review Articles

A Review of Several Works

  • Sear F 1998. Martin Thorpe, 'Roman Architecture'. Ancient History: Resources for Teachers, 27 (2): 177-179.

Conference Publications

Refereed Conference Proceedings

  • Sagona A, Erkmen M & Sagona C 1998. Sos Höyük 1996. XIXth International Symposium of Anatolian Excavation, 1997, Olsen K et al (eds), Proceedings of the XIXth International Symposium of Anatolian Excavation, 1997, 245-50. Ankara:

  • Sagona A, Ermen M & Sagona C 1998. Excavations at Sos Höyük, 1996. XIX Kazi Sonuclari Toplantisi, Olsen K et al (eds), 1: 245-250. Ankara: TC Kultur Bakanligi Yayinlari.

Creative Work

Major Written or Recorded Work

  • Caro F 1998. In Celebration of Henri Matisse-Stephane Mallarme: Poesies. 1st Edition 1-8pp. Clayton, Vic: Monash University.

  • Galbally A 1998. Imagination and Reality. Women in the art of Charles Conder, in Gray A (ed) Painted Women. Australian artists in Europe at the turn of the century., 10-13, Perth: University of Western Australia. ISBN 0 86422858 9

  • Galbally A 1998. L'Allure de la Cote Sauvage, in Seear L and Ewington J (eds) Brought to Light: Australian Art 1850- 1965, 94-97, Brisbane: Queensland Art Gallery. ISBN 0-7242-8211-4

  • Hartrick E 1998. Support and Sustenance: The Olivia Spencer Bower Foundation. 1st Edition 51-53pp. Wellington, New Zealand: Art Magazine Press Limited.

  • Inglis A & Long J 1998. Queens & Sirens. Archaeology in 19th Century Art and Design. 1st Edition 32pp. Geelong Art Gallery (26 September - 1 November 1998): Geelong Art Gallery.

  • McAuliffe C 1998. Proliferation and Redundancy. The Status of Abstraction in the 1950s, in Pestorius D (ed) Geometric Painting in Australia 1941- 1997, 49-58, Brisbane: University Art Museum, University of Queensland. ISBN 1-86499-052

  • Pigot J 1998. A National Heroine, in Seear L and Ewington J (eds) Brought to Light: Australian Art 1850-1965, 138- 141, Brisbane: Queensland Art Gallery. ISBN 0-7242-8211-4

  • St John Moore F 1998. Icons and Politics, Australian Art Brought to Light 1850- 1965, 230-233, Brisbane: Queensland Art Gallery. ISBN 0- 7242- 8211-4

  • Strecker J 1998. George Grosz 'Cain or Hitler in Hell' - Beyond Belief: Modern Art and the Religious Imagination. 1st Edition 74-75pp. Melbourne: National Gallery of Victoria.

  • Zubans R 1998. Mr and Mrs E. Phillips Fox, Painted Women. Australian Artists in Europe at the Turn of the Century., 15- 18, Perth: University of Western Australia. ISBN 0 86422 858 9

Substantial Grants Received

Australian Research Council

  • An Annotated Translation of the Letters of St Gregory the Great - J Martyn

  • Artists' Papers - Australian Printmakers 1880-1980 - R Freemantle

  • Colonial Art and Visual Culture in French Indochina, 1885-1935 - R Benjamin

  • Distributed National Network for the Scientific Analysis of Artworks - J Anderson

  • Further Characterisation of the Effects of Pigments on Egg Tempera Binding Medium including a Comparison of Ageing Methods - N Kandekar

  • Magico-Religious Ritual in the Ancient Roman World: The Reality of its Practice and the Dynamics of its Representation - P Lee-Stecum

  • Painting and Song: The Illustration of Select Chants in Medieval and Renaissance Choir-books from Tuscany and Umbria - M Manion

  • Representing the Captivity Narrative: Race and the Body in the Pacific in film and Painting 1750-1991 - B Creed

Dame Elisabeth Murdoch Fund

  • Joseph Burke Biography - T Hazell

TaLMET

  • B Creed

  • Multi-Media Priming Grant - J Hoorn

  • Multi-Media Priming Grant - P Lee-Stecum

University of Melbourne

  • Arts Faculty Travel Grant - T Eckfeld

Awards

Australian Postdoctoral Fellowship

  • M McDonald

British School at Rome Research Fellowship

  • D Marshall

Guggenheim Museum Internship, Venice

  • K Loney

National Gallery of Art, Washington Research Fellowship

  • D Marshall

Postgraduate Overseas Research Experience Award

  • T Eckfeld

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